We tell powerful, inspiring stories through photography and offer a behind-the-scenes look at emerging and established photographers.
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Since 1847, horse races have captured the attention of audiences at the Royal Calcutta Turf Club in Kolkata, India. Photographer Thomas Vanden Driessche captured the current scene as the club fights to regain prominence.
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Nelson Chan says he began photographing his parents simply as a way to spend more time with them. Since he was about 9, his parents spent a lot of time overseas working in Hong Kong to provide for their family of five. Photography became Chan's way of exploring his complicated family dynamic.
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After covering Libya’s civil war in 2011, French photographer Mathias Depardon decided he was not cut out for conflict photography. He then thought about what is left behind after a conflict, and began researching the coastline of the Black Sea "to trace the visual scars of past Eastern European conflicts."
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Photograper Tomer Ifrah arrived in Russia’s capital in the middle of winter and discovered the Moscow metro, which intrigued him because it was the only place in the city where all ages and stature of people in the same area.
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With all eyes on the small country that borders the Caspian Sea in the Caucasus region, Andreas Bro was able to enter Azerbaijan and document another side of the country. Though democratic in appearance, Bro says it has a dark side that limits basic rights and creates “a toxic environment of paranoia and fear of the leaders.”
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Photographer Robert Burley has been documenting the demise of analog photography in the transition to the digital age since 2005. He started the project after discovering the Kodak Canada complex in his native Toronto was being shut down in response to the drop in the demand for film.
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An iconic and renowned photojournalist, Steve McCurry has made his name photographing everything from conflict to portraits across the globe for 35 years. Best known for his “Afghan Girl” portrait, McCurry draws inspiration from his curiosity of the world and the people living in it.
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Photographer David Rochkind moved to Mexico City in 2008 to immerse himself in a long-term project on the consequences of the war on drugs. He found that the severity of the violence was “impossible to ignore” but wanted to look at more than just the body count on the border.